![]() Our color science recreates the micro-contrast of real film for a clean, three-dimensional look.This pack has three distinct looks: bright and vivid, gold and lush, or rich black and white tones. ![]() Kodak Everyday Styles Pack for Capture One Features To that point, I work primary in Capture 1, edit as needed in Photoshop, and use Lightroom CC on my iPad. Wedding photogs (or street like me) should pause to think about switching to C1 because of this release. Most importantly, Mastin working with Capture One means other preset makers will follow suit from Lightroom. Presets like this from Matsin are what hybrid shooters use (film and digital ) to make their digital files looks like real film. That means photographers that shoot Portra 160, Kodak Ektar 100, or Fuji whatever…if they want to have that look congruous in their work, this is the only way to do it via presets or styles. They match real film as close as possible. What I didn’t know until this release from Capture One is how influential Matsin is in this space. The workspace groups white balance, shadows and highlights, the settings I change the most. ![]() ![]() #a9 #bealpha #sonymirrorlessĪ post shared by Sony Mirrorless Pro on at 9:41pm PDT BTS of a shoot downtown capturing the changes to the Seattle waterfront. ![]()
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